Bollywood Movie Review

Shabaash Mithu Movie Review 2022

Shabaash Mithu Movie Review 2022
Shabaash Mithu Movie Review 2022

Language: Hindi

Available on: In Theatres Near You.

Runtime: 163 Minutes

Director: Srijit Mukherji


Writer: Priya Aven

Shabaash Mithu Movie Review 2022


Cast: Taapsee Pannu, Vijay Raaz, Anushree Kushwaha, Inayat Verma, Kasturi Jagnam, Mumtaz Sorcar, Shilpi Marwaha

Shabaash Mithu Story: Mithali Dorai Raj, who was raised by a Tamil family in Hyderabad, stumbled into cricket as a young child with the help of her buddy Noorie.

Even though she takes over as Team India’s captain at a young age in her career, she must first overcome several obstacles before bringing attention to the ladies in blue.

Review of Shabaash Mithu: Within the first few minutes of its running duration, Srijit Mukherji’s Shabaash Mithu seeks to take your hand and draw you deeply within the life that Mithali Raj has led.

Little Mithali began her career as a Bharatnatyam dancer before switching to cricket. She finally became one of our nation’s youngest players to represent India internationally in a sport that was dominated by the male counterparts.

The film makes a deliberate effort to portray the underlying feeling that the team must have felt at every turn over its duration, including Mithali’s struggle for numerous such concerns and the squad’s experiences with being mocked and refused equal opportunity.

The story of the women’s national team competing for attention in the sun is progressively woven into Mithali’s personal cricket journey. It is a heartfelt underdog narrative without the jingoistic clichĂ©s and heart-pumping scenes.


Taapsee Pannu works very hard to internalise Mithali Raj’s character. The best part of her performance is that she doesn’t imitate the cricketer; instead, she puts herself in Mithali’s shoes, takes in, and expresses the emotions Mithali may have had at various points in her life.

She accomplishes this without the use of any robust dialoguebaazi. When she is playing cricket on the field, she also exudes comfort.

The cricket sequences, aside from the archive film, have been wonderfully choreographed, but one would have liked to see more of it. The use of subtle humour enhances the story in some areas of the movie.

The dialogue has been maintained consistent with the film’s tone and strategy. Somehow, the climactic speech by Taapsee makes one think of Shah Rukh Khan’s Sattar-Minute tirade in Chak De! India.

The two young performers, Inayat Verma and Kasturi Jagnam, are also a positive since they make for enjoyable viewing.When a movie feels longer than its running duration, it’s one thing when it has a long running time. It is the latter in this instance.

Shabaash Mithu’s running duration, which is less than three hours, feels much longer than it actually is. The movie’s songs hardly add anything to the story, if anything, they only serve to slow things down.

Nothing prevents the screenplay from being written with a bit more vigour and spunk, even though the movie’s main character is considered to be a less expressive person.

The development of the other key characters, who might have made a significant contribution to highlighting more complexities and layers in Mithali’s personal and professional path, was another area that deserved much more attention.

The thrilling events that would have occurred in her life, especially during the 2017 World Cup, are not well shown in the film. Those who have been eagerly awaiting the release of a film about Mithali,

one of the most recognisable players in women’s cricket today, will undoubtedly be left wanting more. A replay of one of her historic victories would be beneficial.

Who “Mithali Raj Even cricket maniacs can be questioned “‘ll come up empty. For those who are unaware, Mithali has scored the most runs in women’s international cricket.

Shabaash Mithu Movie Review 2022
Shabaash Mithu Movie Review 2022

She is the first female cricketer to score more than 7,000 runs “international one-day contests. In WODIs, she also holds the record for the most half-centuries. She was India’s captain from 2004 to 2022 and the first Indian player, male or female, to hit 2000 runs in T20 Internationals.

2019 marked the end of her 20-year career in international cricket. Aren “Are these numbers perplexing? Sadly, few people are aware of her accomplishments.

But do figures alone provide the full picture? Every athlete has succeeded through pure tenacity and perseverance.Additionally, the effort becomes tenfold if the man is Indian.

And if she does, double that by 100 “is a female athlete from India. Because there is no infrastructure at all, poor training, poor nutrition, and a lack of essentials are a certainty.

In light of this, when you witness Mithali (Taapsee Pannu) and her team members crouching in the fields to commune with nature “s call, you start to comprehend their challenges.

Many of the pictures in the film by director Srijit Mukherji illustrate the gap between male and female cricket players.

On their first England visit, Mithali and the group are made to leave extra luggage, which included cold clothes, as their male counterparts enter opulently via a private hallway while being greeted with cries of “India, India.”

When Mithali asks for a picture with a well-known cricket player, a fan offers her her phone. Even worse, the cricket board lacks funding to purchase their outfits, thus “The male cricketers’ uniforms were given out again.

Lack of sponsors is related to inadequate money. In spite of this, they were nevertheless able to make it to the 2017 Women’s World Cup finals “s World Cup and suffered a razor-thin defeat. It “a difficult task, to put it mildly.

Any group will experience friction, and Srijit has made sure we see that aspect as well. Mithali “is brutally initiated into the Indian team. She is dealing with menstruation pains while also having to deal with a horde of bowlers trying to crush her spirit in the nets.

She gains the respect of her colleagues thanks to her technique. She responds to them on the field by her acts rather than instigating a fight, and later on it is shown that she has formed a relationship with them.

Every prodigy requires a mentor, and Sampath (Vijay Raaz), her coach, is shown in the movie as being that mentor. Since she was young, he instilled in her a desire for discipline and ensured that her technique was flawless.

His finest piece of advise was to ignore everything else while playing your natural game on the field. The sequence where Mithali still manages to score a century after learning of his death may be the play’s most moving moment.

Another individual she “Noorie is revealed to be nearby (Anushree Kushwaha). Although Noorie was also a gifted cricketer, she was married off just before she was about to be chosen for India.

She’s always been there for Mithali “s life and represents the millions of girls who, due to circumstances, had to give up their aspirations. Everyone who decides to live by their convictions finds it difficult to get by when their family doesn’t support them.

Her older brother, an aspiring cricketer himself, is portrayed to be resentful of her success while Mithali’s parents are shown to be supportive of her. When he eventually develops a fondness for her and takes satisfaction in her success, she successfully navigates another emotional hurdle.

The first parts of Srijit Mukherji’s film, which follow the exploits of a young Mithali (Inayat Verma) and a young Noorie (Kasturi Jagnam), are delightful to watch. Srijit Mukherji should truly consider directing a children’s movie.

Without becoming bored, one could watch a whole movie about them. They remind you of your own childhood and make you lament the passing of youth. When the two girls mature, that innocence is broken.

He probably didn’t see them on TV when they really happened, which is the biggest issue for fans watching the cricket sections of Mithali and her team’s exploits. Because there is no recall value, no relationship can be drawn.

They start to sound the same after a time. Then, Mithali led the Indian squad for the longest period of time and undoubtedly shared honours with other veteran players, all of which are conveniently ignored. All the proper things are said and done throughout the movie. Women have been socialised for ages to be housewives.

Although working women are now the norm after years of struggle, their entry into sports is still frowned upon. They struggled for the opportunity to work alongside males.

They also require a fan base, and perhaps this movie will assist them in developing one.

Taapsee, whose competent shoulders the movie relies on, has given her all for the project. Her posture, cricketing stance, and shot choice all appear natural.

And as she collapses, she conveys the impression that you are seeing Mithali’s inner difficulties. She deserves praise for her passion and dedication since it is a performance that comes from the heart.

Review of Shabaash Mithu: Script Analysis

The increase of sports-related content, especially biopics, has practically conditioned our minds to guess the plot automatically and to stop watching if the introduction isn’t interesting.

since the plan looks the same 90% of the time, which has little to no influence. The aforementioned predicament is therefore almost inevitable if an actor who has already performed in another sports biopic in the same year makes another.

Mithali Raj, a game-changer whose triumph in the real world is still recent in our memories, is the subject of a fictitious biography written by Priya Aven and directed by Srijit Mukherji.

Together, they succeed in winning the introduction battle since they used the conventional method and told the tale linearly. A stunning 8-year-old girl who is studying Bharatanatyam is introduced to us.

The introduction is so intriguing since it’s not about a girl who has always been driven; rather, she was inspired by a determined person.

The entire section of the film when Mithali was a little child who was first introduced to the sport and became obsessed with it is fascinating and enjoyable.

The cherry on top is the notion of emphasising this girl’s journey rather than her accomplishments.

When they make it all seem simple, that’s when the cherry starts to taste bitter. Even when the runtime is enough, this must be attributed to the haste.

Similar to how no dispute lasts for long enough for us to become immersed in it and be moved by the resolution. The Cricket Board of India deprives these women of even the most fundamental rights, and to make matters worse, insults them when they request these rights.

Shabaash Mithu Movie Review 2022
Shabaash Mithu Movie Review 2022

There is a time when they lack adequate restrooms,So they must enlist the assistance of the buses parked at the side of the road. Such distressing incidents, but never enough to make you wonder why we degraded them because of their gender.

The purpose was to recognise how unfair our institutions had been, but the voice has been inconsistent.

Additionally, there are stock military units that appear to have been created because the team felt that they could not be avoided.

comparable to Chak De’s 70-minute speech! Or there is always one female who is envious and stirs up the greatest trouble just to wind up being the biggest support.

Change of heart occurs really quickly, and it all just comes down to very little.Why don’t humans get older in this planet, too? Please explain to me how Taapsee Pannu looked 15 when she was shown as a teenager if you felt she did.

Review of the film Shabaash Mithu: Star Performance

Taapsee Pannu has mastered the skill of simply and noticeably altering her body language. Since Manmarziyaan, I’ve seen how the actor plays her parts physically and manages to make each one appear distinctively different.

She enters after about 35 minutes and makes a difference in the first half. The continuity breaks down in the second half, when she starts to act and appear more like Taapsee Pannu than Mithali Raj did in the first.

Please give Taapsee a longer rest before the following sports movie. Let’s do a Manmarziyaan or another Thappad in between. I appreciate your craft and would wish to celebrate it for its adaptability.

Vijay Raaz is given a role he can practically sleep through and pulls it off flawlessly! The two little ladies deserve special recognition since they are so cute and excel at what they do.

Review of the film Shabaash Mithu:

Direction and Music
Srijit Mukherji is torn between making an emotionally stirring sports biography like Jhund and one that is direct and serious. In the end, he comes up with something that is wholly neither of the two but rather utterly confused.

Was there another teaser before the movie, or does he choose to begin his film with a sequence that we will see in the second half? He inserts certain scenes with a shayari or merely a parody character to make them resemble the thirty second Melo dramatic commercials.

The amount of music is too excessive. While the songs are passably good enough to keep you interested in the beginning, towards the end there are simply too many.

The Last Word: Shabaash Mithu Movie Review


In the conclusion, Mithali Raj played by Taapsee Pannu signs a wooden bat with a ballpoint cello gripper pen. Nobody on the whole production and editing team thought that was ridiculous.

The film had a lot of potential to be fantastic, but it turned out to be only fair.

Who inspires you, and why? was a question Mithali Raj, a former captain of the Indian women’s cricket team, answered during a question-and-answer session yesterday on Twitter. Surprisingly, Raj didn’t bring up her old pal Noori in her response.

Surprisingly, Noori has a significant role in Shabaash Mithu, which is purported to be a biopic based on Raj’s life. In Shabaash Mithu, Noori is the one who initiates Mithali (played by Inayat Verma), a munchkin-sized character, to cricket when she is eight years old.

It is Noori who motivates Mithali (Taapsee Pannu), a mature woman who has given up on the sport out of frustration decades later, to pick up the sport again and captain the Indian team at the 2017 Women’s Cricket World Cup. However, the actual Raj has never brought up Noori in any of her interviews.

Almost every story on Raj will mention that her father introduced her to cricket and that her coach, Sampath Kumar, helped her recognise her ability. In Shabaash Mithu, it appears that Raj’s father’s position is significantly diminished so that Noori can shine.

Nobody should object when fictional spice is added to facts to give everyday life some cinematic flare since a Bollywood biography is not a documentary. The issue with Shabaash Mithu is that the fictitious aspects that writer Priya Aven and director Srijit Mukherji added make Raj’s busy life into a dull and uninteresting narrative.

R sThank you Wikipedia, Raj’s profile makes it clear why she merits a movie to be produced on her. Raj began playing cricket when women’s cricket was a marginal sport (even more so than now).

Women cricketers like Raj and Jhulan Goswami established the Indian team globally, and their accomplishments enhanced the team’s profile, despite criminal negligence from the state, cricket boards, and fans.

Raj was a prolific run scorer and guided the side to two World Cup finals while serving as captain. In the Twenty20 International (T20I) format, she scored 2,000 runs in 2018, making history as the first Indian cricketer (male or female) to do so.

(Remember that the women’s cricket team competes in significantly fewer games than the men do.) Not only that, but Raj has also been involved in her fair share of scandals. For instance, when coach Ramesh Powar accused Raj of pursuing her own goals, Raj countered by alleging that the coach had purposefully neglected her.

Even the connection between Raj and Harmanpreet Kaur, the current captain of India’s women’s national cricket team, has a tale of intergenerational rivalry, a classic favourite in sports biopics. What more could a biopic possibly offer?
The solution, according to Aven and Mukherji, is schmaltz.

This leads to the Noori narrative, which although being ostensibly written as a tribute to India’s religious diversity simply helps to reinforce preconceived notions about how oppressed Muslim women are. A young Mithali is seen learning the basics of cricket through advice she picked up from Bharatnatyam classes.

Even in Shabaash Mithu’s own world, it’s hard to stomach, as Vijay Raaz’s performance as Mithu’s coach illustrates with his resting bitch face. A number of unfortunate scenarios have female cricket players trying to undermine one another (in one case, a match turns into a catfight, while in another, Raj is ‘ragged’ for not being allowed to take medicines for her menstrual pains).

Writing friendships in Indian commercial movies is still difficult, especially with female characters. The ladies must exercise authority when a dismissive and sexist cricket board provides the women cricketers with old men’s jerseys as uniforms.

The athletes physically pull it off by removing their offending jerseys one by one to reveal new ones that have been made just for them and are personalised with their names.

Give a consideration to the 12th person who has to perform that ludicrous motion after the first person who pulls off a jersey move; it may seem dramatic when it happens the first time.

Shabaash Mithu’s bad writing is rendered worse by the director and editing. For instance, there is a scenario when a young Mithali is playing in a vital match and keeps hitting incredible shots.

There are brief glimpses of Noori dressed for her wedding interspersed with cricketing moments. Raj sets limits, and Noori responds, “qubool hai (I agree)”. Why? Raj is as devoted to cricket as Noori is to her husband, and vice versa. This is the nuance that Aven’s script and Mukherji’s direction attempt to convey.


Even though other cricketers are mentioned in Shabaash Mithu, Mithali is the only one who receives attention, and we learn very nothing about her character or even her accomplishments.

She is gifted from the beginning and remains gifted at the end, unaffected by either development or self-doubt. Pannu’s portrayal of Mithali is static and bland, and she spends a lot of time on screen appearing confused and depressed, unintentionally matching the reviewer’s mood while seeing Shabaash Mithu.

There is nothing in Mithali’s body language or look that would suggest she is transitioning from a teenager to a lady in her 30s, other than the occasional application of eyeliner and changes in her complexion.


Shabaash Mithu provides the appearance that it is covering a short period of time rather than the more than two decades it takes for a sportsperson to become a great athlete.

(Watch the K-drama Twenty-Five Twenty-One, in which Kim Tae-ri portrays a fencing champion, for a lesson in how ageing and progression may be depicted through excellent writing and superb acting.)


In one of the strangest passages in Shabaash Mithu, Mithali recognises who among her colleagues is the strongest by recalling what her coach had taught her about their origins.

The other players, in contrast to Mithali, who comes from an upper middle-class family, are said to have had challenging, underprivileged backgrounds.

Mukherji, however, gives us a glimpse of each of the ladies in what the filmmaker presumes to be their home environment—possibly because a picture really is worth a thousand words.

In other words, Mithali and the team are waiting to start a game on a cricket field when she has a hallucination of one of her teammates standing in front of a drying

Bombay duck, another in a tannery, a third in a metal workshop, and a fictionalised Jhulan Goswami (Mumtaz Sorcar as Jharna Ghosh) beginning her run-up in a chai stall.

Shabaash Mithu’s portrayal of women’s cricket as uninteresting and its players as impolite is maybe its worst aspect.With her zen-like serenity, Mithali stands out in the sports world full of individuals that are vindictive, vain, and egotistical.

Despite running for an interminable 162 minutes, nothing in the movie explains what makes these athletes unique or supports their argument for being treated equally to their male counterparts. The suspense that makes limited-overs cricket so exciting is absent from the reenactments of the games.

Instead, they devolve into monotonous cycles of scuttling players and balls. Shabaash Mithu ought to have piqued our interest in women’s cricket and its top players. Instead, the game itself and its participants are both forgettable.

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